Written by Danielle Binks
Middle Grade, Family, Friendship
304 Pages
Published April 28th 2020
Thank you to Hachette Australia
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★★★★★
I was eleven when everything started and twelve by the end. But that's another way maps lie, because it felt like the distance travelled was a whole lot further than that.
Sorrento, Victoria. 1999.
Fred's family is a mess. Fred's mother died when she was six and she's been raised by her Pop and adoptive father, Luca, ever since. But now Pop is at the Rye Rehabilitation Centre recovering from a fall; Luca's girlfriend, Anika, has moved in; and Fred's just found out that Anika and Luca are having a baby of their own. More and more it feels like a land grab for family and Fred is the one being left off the map.
But even as the world feels like it's spinning out of control, a crisis from the other side of it comes crashing in. When 400 Kosovar Albanian refugees arrive in the middle of the night to be housed at one of Australia's safe havens on an isolated headland not far from Sorrento, their fate becomes intertwined with the lives of Fred and her family, as she navigates one extraordinary year that will change them all.
Down on the Mornington Peninsula, in the small township of Sorrento, the tides are about to change. It's 1999 and for eleven year old Winifred Owen Ricci, her life is experiencing a shift of seismic proportions. Since losing her mother a few years ago, it's been Fred and her stepfather and police officer Luca against the world, her small family unit including her grandfather, who grieved together and supported one another through the loss of their partner, their mother and their daughter. Luca officially adopted Fred at three years of age but when Anika and her son Sam move into her family home, Fred isn't quite sure where she fits in anymore. Luckily she has the neighbours and best friend Jed, short for Jedi and a nickname given to him by his parents that stuck. Jed has been a part of Fred's life forever, through losing her mum, through her roof climbing escapades and now through Anika and Sam moving into the home she once shared with her mother while her grandfather is in a rehabilitation facility after a fall.
It's a quiet part of the world but lately Fred has felt an ache in her chest, the news from overseas blasting in every home across the country, Kosovo Albanian refugees are driven from their homes by the Serbian army, their country left in ruins, destroyed lives and displaced families. The Australian government were adamant that Australia wouldn't help provide refuge but under public pressure, brought the Kosovo Albanian refugees to Australia under the cover of darkness and hid them away in inhumane detention centres. Fred has a beautiful sense of rightness instilled in her, she isn't sure why anyone in town would protest against helping these people flee their wartorn country, like Mister McMillan who owns the cafe on the main strip. For the most part, the people of the Mornington Peninsula are welcoming, including Fred, Anika, Sam and Luca, who is volunteering at the former army barracks now accommodation for the refugee community.
Being eleven is dreadful sometimes. Fred is in her final year of primary school, a new younger brother who's not really your brother and another on the way, Fred feeling increasingly isolated as Anika and Luca gently announce that their family is expanding. Fred's world is being turned upside down and she doesn't like it. One. Bit. The Trần family next door are wonderful, especially Jed's mother Vi, who has been a mother figure for Fred and an incredibly warm, maternal woman. Vi and her husband are both Vietnamese and met in Australia after fleeing their homeland. With so many diverse, non nuclear and blended families within our communities, it was wonderful to see Fred and Jed's families so beautifully written with compassion and care.
This is very much a coming of age story for Fred but where it differs from most middle grade, is that this isn't only Fred's journey, it's the journey of healing and growing for an entire community through the eyes of an intelligent and astute young woman. I see so much of myself in Fred at that age, learning about the many facets of love, our place within the world and who we want to become. Fred has so many positive role models in her life, Luca and especially Anika. Anika is learning how to parent an almost teen girl and allowed Fred the space to grow and form her own opinions. Although it took a while for Fred to see Anika as someone loving and caring in her life, Anika loved Fred so dearly and is a beautiful example of step parenting written in a positive light.
The secondary characters are lovingly created such as Mr Khouri, their geography teacher who created a fun and inclusive learning environment and Nora, who is a heavily pregnant refugee Fred meets at a hospital visit during Anika's pregnancy. Although most of small town Sorrento and the wider community are welcoming, Fred's friend Aiden begins coming to school with the wildly racist opinions of his father, repeating what's being said at home. Seeing Aiden grow and form his own opinions was such an incredible moment and although he respected his father, he begun to see that he wasn't always right and Aiden didn't need to agree. It was a yes! moment that readers will enjoy.
This isn't a heavy read by any means, there's plenty of lighthearted moments of mischief and laughter but it also raises serious issues such as asylum seekers and how they're treated as less than, especially in Australia. Australia has a terrible history of colonisation and the treatment of First Nations people, we've learnt nothing about the treatment of people and basic human rights. Our current government is the same government who was in power in 1999, when The Year the Maps Changed takes place, same party with interchangeable white men with money. Heartless bastards, the politicians and those who voted for them. The Year the Maps Changed isn't political, instead it provides middle grade readers with the human side of seeking asylum, Nora and children Merjeme and Arta are the fictional faces of those who have been forced to leave their homeland, travel to a strange, new country and then locked up like petty criminals for seeking safety. It only highlights that we're no better than the governments that we vote for and we desperately need to bring about change for the people that Nora, Merjeme and Arta represent.
The Year the Maps Changed is heartachingly beautiful. Danielle Binks has created an exceptional debut novel of warmth, compassion and finding your place in our ever changing world.
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Written by Astrid Scholte
Fantasy, Dystopian, Science Fiction, Romance
416 Pages
Published March 2020
R.R.P $19.99
Thank you to Allen & Unwin Australia
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★★★★★
416 Pages
Published March 2020
R.R.P $19.99
Thank you to Allen & Unwin Australia
Add to Goodreads
★★★★★
Two sisters. One dangerous secret. Twenty-four hours to uncover the truth.
Seventeen year old Tempest was born into a world of water. The most skilled diver on the Equinox Reef, she searches drowned cities with her older sister Elysea, seeking out old world treasures to trade for Notes. After Elysea mysteriously drowns, Tempest scavenges the ruins alone, driven to collect enough Notes to buy her sister's life for 24 hours, and to finally learn the secret she had kept until her last breath.
However, once revived, Elysea convinces Tempest to break her out of the Palindromena research facility and they embark on a dangerous journey to discover the truth about their parents' death. But they're pursued by two Palindromena employees desperate to find them before Elysea's time is up, and to prevent them from uncovering the secrets behind the revival process and the true cost of restored lives.
Dead or living, everyone must pay the price.
The Great Waves decimated the planet, creating underwater graves as the cities were submerged. Tempest lives in a towering building upon the waves, exploring the ruins below the water to survive. It's been five years since her parents passed away, shortly before her sister Elysea drowned, grieving for the loss of her family.
Those who have drowned upon the water are retrieved, their bodies placed in a cryogenic state until their loved ones pay handsomely for one last day. The dead are awoken for twenty four hours and then put to rest once more. Tempe plans to revive her sister, believing Elysea is responsible for the death of their parents. Palindromena promises the lasting memory of a reunion with your loved one, a final goodbye for those who have been left behind. While the communities of the Equinox Reef live in apartments above the waves, Palindromena monopolises the small island upon the reef and for Lor, the facility provides a sense of solace and isolation. Hiding among the tanks that hold the deceased until they are revived by their families or discarded, Lor retreats into his own thoughts, of the friend he once lost and the survivor guilt he endures each day.
Tempe and Lor are both wonderful characters and not too dissimilar, both share a strong moral compass and analytical view of their world. Lor resides within the substructure of the Palindromena facility, the basement his respite from the unethical procedure of restoring lives. Lor is a gentle character, emotional and wears his heart on his sleeve. His thoughts are consumed of the guilt of losing his friend in a rock climbing accident, Lor survived and the guilt has caused him to live his life hidden among the dead, isolated and secluded from the world.
Tempe and Elysea are contrasting characters and although Tempe is angry a deeply feels what she believes is her sister's betrayal, the two siblings care for one another. Elysea is spirited and carefree and despite her current circumstances, wants to spend her final day experiencing the yearly Equinox festival, dancing and enjoying what little of her life remains. Through Elysea's experience, Tempe realises that she wasn't living but simply surviving and although Lor provides an attractive distraction, Tempe continues to place her sister's well being first and foremost.
Tempe and Elysea are contrasting characters and although Tempe is angry a deeply feels what she believes is her sister's betrayal, the two siblings care for one another. Elysea is spirited and carefree and despite her current circumstances, wants to spend her final day experiencing the yearly Equinox festival, dancing and enjoying what little of her life remains. Through Elysea's experience, Tempe realises that she wasn't living but simply surviving and although Lor provides an attractive distraction, Tempe continues to place her sister's well being first and foremost.
The Earth flooded in a historical disaster known as the Great Waves, land disappearing beneath the ocean and those who survived now live in salt laden highrise towers jutting from the sea. Relics from the Old World are now hidden below the waves, treasures looted by divers brave enough to endure the waves that decimated their world. The ocean has become a source to sustain communities, providing a livelihood for those living above the watery graveyards. The world building is eerily beautiful and one of my favourite aspects of The Vanishing Deep.
The world flooded and valuable land and resources disappearing beneath the sea. A frightfully prophetic world that raises discussion of environmental impact and global warming, issues rarely mentioned in young adult literature. At the centre of the narrative is the moral dilemma of life and playing God. Resurrection, only to spend the next twenty four hours isolated in a concrete room within the Palindromena facility. You can't leave and you need to lie your way through every conversation because they can't discover they've died. What isn't clear to the grieving loved ones, is how the process works. Without giving too much away, the how provided an intense urgency throughout the storyline which blended beautifully with the emotional impact of Tempe and Elysea's reunion, the secret surrounding the death of their parents and coming to terms with losing your sister all over again.
Lovingly imagined, atmospheric and beautifully portrayed, The Vanishing Deep is exquisite.
Infinity Cycle Book One
Written by Adam Silvera
Fantasy, Urban Fantasy, LGBT
368 Pages
Published January 2020
Thank you to Simon & Schuster Australia
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★★☆
Growing up in New York, brothers Emil and Brighton always idolized the Spell Walkers, a vigilante group sworn to rid the world of specters. While the Spell Walkers and other celestials are born with powers, specters take them, violently stealing the essence of endangered magical creatures.
Brighton wishes he had a power so he could join the fray. Emil just wants the fighting to stop. The cycle of violence has taken a toll, making it harder for anyone with a power to live peacefully and openly. In this climate of fear, a gang of specters has been growing bolder by the day.
Then, in a brawl after a protest, Emil manifests a power of his own, one that puts him right at the heart of the conflict and sets him up to be the heroic Spell Walker Brighton always wanted to be.
Brotherhood, love, and loyalty will be put to the test, and no one will escape the fight unscathed.
In a borough of New York City, brothers Emilio and Brighton live in a society where bloodlines determine your allegiance. Spell Walkers are assigned to protect the local community, Celestial beings who have inherited abilities, manipulating elements to defend the mundane against malevolent Blood Casters, those with abilities derived from consuming the blood of a Phoenix.
Brighton idolises the Spell Walkers, believing his own ability will manifest upon their eighteenth birthday. Brighton is an online sensation, documenting infamous Spell Walkers on his Celestials of New York channel for subscribers. Brighton and Emil are contrasting characters, Emil abhors confrontation and violence, Brighton is pursuing the limelight and although the brothers are on vastly different journeys, encourage and strengthen one another unconditionally.
The Spell Walkers are engaged in warfare with a syndicate of Blood Casters when Brighton, Emil and friend Prudencia are accosted and pursued through the bustling streets of New York. Confronted on the underground subway, Brighton is seconds away from his demise when Emil conjures Phoenix Fire.
Infinity Son is an interesting read. New York City on the threshold of conflict, Emil becoming the reluctant chosen one in a metropolis segregated by those with abilities, Celestials and the mundane population. Specters illegally consume the blood of mythical creatures and Spell Walkers protect the community from Specters and an organised crime syndicate. The premise is wonderful and although entertaining, I'm left with more questions than answers and at times, confused by the multiple characters and points of view.
I'm not entirely sure how to review Infinity Son and find no pleasure in writing less than favourable reviews but unfortunately, I was disappointed by Adam Silvera's first fantasy novel. In the beginning, I found it difficult to differentiate between the voices of siblings Brighton and Emil and although they are contrasting characters, the multiple narratives didn't allow me to feel a sense of who they were beneath the surface. Emil is the likeable brother of the two, he's selfless and compassionate, supportive of his brother and mother, who barely rates a mention until nearing the end. Brighton is a character that represents the often stereotypical judgement from adults, aggressively obsessed with social media, narcissistic and needing validation. His character seemed like a caricature of an adolescent and becomes increasingly irritating as the narrative progresses.
The diversity of characters is wonderful. Brighton and Emil are Latinx, Emil identifies as gay, Ness is of Dominican heritage, sapphic secondary characters and characters of colour. The sapphic relationship between two secondary characters was lovely and wonderfully gentle and seeing same sex relationships explored in young adult literature is commendable, adolescents finding solace within characters. Emil and Ness share an attraction but their relationship felt dubious, not entirely certain that Ness wasn't manipulating Emil's emotions or because characters were underdeveloped, their connection felt insincere.
The narrative would have been better suited to a middle grade novel, the absence of elementary world building and characterisation created a storyline that lacked conviction and spirit, two elements readers find synonymous with Adam Silvera novels. I'm still confused how a decapitated character came back to life in the next chapter. Infinity Son is better suited for younger young adult readers or Adam Silvera fans and although this one missed the mark for me, I'm looking forward to seeing what he's working on next.
Written by Kiran Millwood Hargrave
Young Adult, Historical Fiction, Romance
256 Pages
Published January 28th 2020
Thank you to Pan Macmillan Australia
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★★★★★
On Christmas Eve, 1617, the sea around the remote Norwegian island of Vardø is thrown into a reckless storm. As Maren Magnusdatter watches, forty fishermen, including her father and brother, are lost to the waves, the menfolk of Vardø wiped out in an instant.
Now the women must fend for themselves.
Eighteen months later, a sinister figure arrives. Summoned from Scotland to take control of a place at the edge of the civilised world, Absalom Cornet knows what he needs to do to bring the women of Vardø to heel. With him travels his young wife, Ursa. In Vardø, and in Maren, Ursa finds something she has never seen before: independent women. But Absalom sees only a place untouched by God and flooded with a mighty and terrible evil, one he must root out at all costs.
Inspired by the real events of the Vardø storm and the 1621 witch trials, Kiran Millwood Hargrave's The Mercies is a story about how suspicion can twist its way through a community, and a love that may prove as dangerous as it is powerful.
Throughout the island fishing village of Vardø, the women grieve for their husbands, their sons and their fathers as the weather churned the ocean, the fishermen losing their lives. The women of Vardø gathered their deceased loved ones, waiting until the season thawed the hardest terrain and farewelled those captured by the ocean as a man arrives on the Norwegian island. A man of the church to guide the female community spiritually and morally.
Maren Magnusdatter has lost her father, her betrothed and her brother, a newlywed young man expecting his first child. To survive, the women must become self reliant and although the newly appointed Christian Pastor believes it to be improper, food is scarce and the women, more than capable, embrace the role of hunters and gatherers.
The Mercies is based on an event that occurred during the early seventeenth century. A storm decimated Finnmark, forty men lost their lives in Vardø where it is said that the sky and sea merged to drown ten fishing vessels, resulting in the now infamous Vardøhus witch trials and genocide of Indigenous Sámi communities.
Maren is a formidable young woman, intelligent and resilient. Since the storm claimed the lives of the men of Vardø, including her father, brother and her betrothed, the atmosphere within the small coastal village is precarious, women who place their faith in Christianity and those who are tenaciously pursuing their independence. Neither mutually exclusive. The Christian women of Vardø are relying upon the Pastor and Lensmann Absolom Cornet, a Scotsman on behalf of the Monarchy instilled to ensure Christian values are being adhered and practised. The brutality and violence against women is confrontational, women are expected to marry and bear children, serve their community and attend church services. The Lensmann appointment has reverberated throughout the village, creating fissures within the community. On his journey to the small fishing village, Lensmann Cornet married Ursula, a dispirited young woman who reluctantly abandoned her family, her once privileged life and stately home for a small homestead on the island.
The tentative companionship of Maren and Ursula is tender and beautiful, Ursula enlisting the guidance of Maren to learn the customs of the Vardø community and tending to her home. As the Lensmann travelled under his appointment of the monarch, Ursula and Maren begun to depend on one another. Although Maren was betrothed to the young son of a village fishermen, she is attracted to women, preferring their company. Especially Ursula.
Maren's mother is becoming increasingly volatile, choosing the company of the Christian townswomen and isolating Diina and her grandson. Diina's shamanic faith victimising the young mother still grieving for her husband. The courage and fortitude of the women of Vardø is inspirational, especially Kirsten Sorensdatter, trouser wearer and reindeer caretaker. Kirsten's independence reverberates in whispers throughout the village, those who disobey the Lensmann and refuse to follow the teachings of Christianity are branded as witches, held responsible for the storm. The women guided by Kirsten didn't survive, they thrived until the Lensmann arrived.
The Mercies is a narrative of quiet feminism and the fortitude of woman. The women of Vardø refusing to yield as they are sentenced to death by those shielding behind their faith. Women who refuse to adhere to Christianity and traditional female roles of caregivers, wives and homemakers are branded and sentenced. A remarkable story and beautifully told, The Mercies is unequivocally breathtaking.
Maren Magnusdatter has lost her father, her betrothed and her brother, a newlywed young man expecting his first child. To survive, the women must become self reliant and although the newly appointed Christian Pastor believes it to be improper, food is scarce and the women, more than capable, embrace the role of hunters and gatherers.
The Mercies is based on an event that occurred during the early seventeenth century. A storm decimated Finnmark, forty men lost their lives in Vardø where it is said that the sky and sea merged to drown ten fishing vessels, resulting in the now infamous Vardøhus witch trials and genocide of Indigenous Sámi communities.
Maren is a formidable young woman, intelligent and resilient. Since the storm claimed the lives of the men of Vardø, including her father, brother and her betrothed, the atmosphere within the small coastal village is precarious, women who place their faith in Christianity and those who are tenaciously pursuing their independence. Neither mutually exclusive. The Christian women of Vardø are relying upon the Pastor and Lensmann Absolom Cornet, a Scotsman on behalf of the Monarchy instilled to ensure Christian values are being adhered and practised. The brutality and violence against women is confrontational, women are expected to marry and bear children, serve their community and attend church services. The Lensmann appointment has reverberated throughout the village, creating fissures within the community. On his journey to the small fishing village, Lensmann Cornet married Ursula, a dispirited young woman who reluctantly abandoned her family, her once privileged life and stately home for a small homestead on the island.
The tentative companionship of Maren and Ursula is tender and beautiful, Ursula enlisting the guidance of Maren to learn the customs of the Vardø community and tending to her home. As the Lensmann travelled under his appointment of the monarch, Ursula and Maren begun to depend on one another. Although Maren was betrothed to the young son of a village fishermen, she is attracted to women, preferring their company. Especially Ursula.
Maren's mother is becoming increasingly volatile, choosing the company of the Christian townswomen and isolating Diina and her grandson. Diina's shamanic faith victimising the young mother still grieving for her husband. The courage and fortitude of the women of Vardø is inspirational, especially Kirsten Sorensdatter, trouser wearer and reindeer caretaker. Kirsten's independence reverberates in whispers throughout the village, those who disobey the Lensmann and refuse to follow the teachings of Christianity are branded as witches, held responsible for the storm. The women guided by Kirsten didn't survive, they thrived until the Lensmann arrived.
The Mercies is a narrative of quiet feminism and the fortitude of woman. The women of Vardø refusing to yield as they are sentenced to death by those shielding behind their faith. Women who refuse to adhere to Christianity and traditional female roles of caregivers, wives and homemakers are branded and sentenced. A remarkable story and beautifully told, The Mercies is unequivocally breathtaking.
Whispers of the Gods Book One
Written by Steve Feasey
Fantasy, Mythology, Magic
352 Pages
Published August 5th 2019
Thank you to Bloomsbury Australia
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★★★★☆
A sweeping epic fantasy perfect for fans of the summoner trilogy by Taran Matharu and shadow and bone by Leigh Bardugo.
When gods fail, who will keep the darkness out?
Lann knows nothing of his mysterious past, but by his fifteenth birthday he will come face to face with destiny. For Lann must wield the Dreadblade, an ancient sword forged to defeat terrible monsters.
Across the mountains a king has been murdered. His daughter, Astrid, is a warrior with no desire to bear the crown. Only she can uncover her father's killer before her brother is framed for the crime.
Evil is stirring. Lann and Astrid are the kingdom's last defence. Together, they must face the greatest darkness their world has ever known.
The Dreadblade speaks the language of the old Gods, a weapon forged to eradicate monsters and evil from the world. Once wielded to destroy the darkness brought upon the world, a warrior consumed by the power of the black sword attempted to kill the gods, drowned for his bloodthirst and greed.
Lannigon Fetlanger is a farm boy but rather than working the land, Lannigon immerses himself in books, knowledge instilled in him by his late mother. Since her passing, Lannigon's father has becoming increasingly volatile, a drunkard who mourns his wife after she passed giving birth to his stillborn son. When his father is slaughtered by a monster, Lannigon barely escaped with his life, losing his sight during the attack as he lay crumpled on the forest floor.
Lannigon is taken in by Fleya, a witch versed in old magik and craft, teaching the now vision impaired boy about botany. Lannigon seeking solace in the rich earth tending to his seedlings. As Fleya is needed in a neighbouring town, Lannigon is awoken by a man offering to restore his sight if he chooses to wield the blade drenched in blood, a weapon as fierce as it is frightening and Lannigon agrees to the offer.
Lannigon Fetlanger is an intriguing young man, gentle and considerate, still grieving the loss of his mother. Escaping the monster who slain his father, Lannigon falls and a sharp blow to the head results in his vision impairment, engulfed by darkness as he finds himself alone. Fleya is a witch and healer, tending to the local community with her homegrown medicinal elixirs. She offers to take Lanningon in while farmhands manage the family farm, teaching him about botany and how to care and grow ingredients within her small garden. Seeking solace in the rich soil, Lannigon feels at ease within the her presence and although Fleya appears to be a youthful and beautiful woman, it isn't until he takes possession of the Dreadblade that he sees the world for what it truly is, Fleya included.
The Dreadblade itself has a long, sorrowful history. Forged and last wielded by a man who had planned to kill the Gods, Lannigon unaware of the blade's history upon accepting the position of sword keeper, the Dreadblade is bloodthirsty and acts of its own accord. A war is brewing, a thin veil separating Lannigon's world and a world of hideous monsters unleashed by a mere boy, a young man determined to make the world suffer for his own grief and the hand he's been dealt. Dabbling in necromancy and dark magik.
Across the Kingdom, the King has been slain. Astrid Rivengeld is the daughter of the slain King, her brother ascending the throne until he is held captive, assumed responsible for the death of their father. Astrid has no desire to attend court as a Princess, she's a Shield Maiden and the first royal of her kind. Sharing the same goal as Lannigon and along with Fleya, the three set off across the Kingdom to save the throne and stop the rift into the netherworld from opening. I loved Astrid, such a formidable young lady and although her character is a stark contrast to Lannigon, the two compliment each other wonderfully and forge a tentative friendship.
Dark Blade draws upon the Viking civilisations and mythology, fictional Nordic Gods and monsters crossing a divide between worlds. The world was beautifully imagined and wonderfully portrayed. Absolutely loved it!
Written by Sophie Gonzales
Contemporary, Romance, LGBT
368 Pages
Published March 10th 2020
Thank you to Hachette Australia
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★★★★★
When Ollie meets his dream guy, Will, over summer break, he thinks he’s found his Happily Ever After. But once summer’s ended, Will stops texting him back, and Ollie finds himself one prince short of a fairytale ending. To complicate the fairytale further, a family emergency sees Ollie uprooted and enrolled at a new school across the country, Will’s school, where Ollie finds that the sweet, affectionate and comfortably queer guy he knew from summer isn’t the same one attending Collinswood High. This Will is a class clown, closeted and to be honest, a bit of a jerk.
Ollie has no intention of pining after a guy who clearly isn’t ready for a relationship. But as Will starts coincidentally popping up in every area of Ollie’s life, from music class to the lunch table, Ollie finds his resolve weakening.
The last time he gave Will his heart, Will handed it back to him trampled and battered. Ollie would have to be an idiot to trust him with it again.
Right?
Right.
Californian local Ollie has just spent the summer of his life in North Carolina, his parents caring for his Aunt Linda as she battles cancer while Ollie could quite possibly be the best babysitter to ever have babysat. With his two young cousins nipping at his heels, Ollie spent the warm summer days on the beach and it was there he met Will, total dreamboat, music novice and basketball god. Over the course of the summer, Ollie and Will fell in love, though neither were brave enough to admit it and swore that when Ollie returned to California, the two smitten boys would certainly, most definitely keep in touch. Now the summer is over and Will is totally ghosting Ollie, ignoring text messages as Ollie becomes increasingly more heartbroken.
Ollie's Aunt Linda isn't doing too great and with two small children, Ollie's parents decide to stay in Collinswood and help while Linda recovers. Despite Ollie putting in a protest. The likelihood of running into Will again is pretty slim to none, it was summer and he's likely moved on with his memories and now someone else's dreamboat. Grumbling aside, Ollie loves his family, his super supportive parents and although he's leaving his life behind in California, his band that's most certainly on the cusp of greatness and his friends, he agrees and enrols at Collinswood High School.
Of all the schools in all the world, Will just happens to be at Collinswood High. Well, it's not that unlikely but it makes getting over him a smidge more difficult. Before Ollie sinks into a post summer sulk, he's swept up by a group of girls all sporting rose gold rose necklaces in some sort of misguided non couples dressing. Turns out Ollie is just what they need to complete their group and suddenly the year isn't looking so bad after all if he can avoid Will everyday for the rest of the year. Or when hell freezes over, whichever comes first.
Will isn't the same guy that Ollie fell in love with. He's the star basketballer, he laughs at homophobic jokes and ignores the fact that he spent an amazing summer with Ollie and unlike Danny Zuko, doesn't tell all his friends about the boy he met at the beach. Most definitely not with a musical number and interpretive dance. Unaware that his new circle of necklace clad friends know Will, Ollie accidentally outs him and in the small North Carolina town where apparently no one is gay, Will has never felt comfortable coming out to his boof head mates.
Throughout the storyline, we're treated to flashbacks of the perfect summer. Playing with the kids on the beach, not quite naked swimming in the middle of the night and all with a dose of kissing someone's face off. Ollie's summer was perfect. You know when you meet that person that's your person? Will could possibly be Ollie's person but the summer is over and with it, Ollie and Will's relationship.
Although Only Mostly Devastated is utterly joyous, it tackles serious issues such as grief and seeing a loved one battling illness, queerphobia and being outed, blended with a beautiful story of summer flings, heartbroken boys and figuring out your place in the world.
I loved Ollie's character. He's wonderfully compassionate although sarcastic and internally, hilariously bitchy. I loved his kindness and sense of who he was and his own self worth. He isn't without his faults but he's just so inherently good. Although we see flashbacks of Will during the summer, within his circle of friends, he comes across as arrogant and willing to laugh at others expenses. Underneath the cocky facade lies a young man who's scared to be outed. Throughout the narrative, we see Ollie incredibly hurt that Will wants their friendship to remain a secret, worried about the reactions of his friends and family. Both boys are justified in their feelings and it was wonderful to see Ollie addressing his error by outing Will, realising how potentially dangerous and damaging his actions were and although he's entitled to feeling hurt, that Will shouldn't feel pressured to label his sexuality until he's ready. If he's ready.
The secondary characters are as diverse as they are wonderful. Lara is exploring her sexuality and identifies as bisexual as does Will. Niamh is a young woman of colour and has aspirations of becoming a plus size model. It also explores casual fat shaming by suggesting Niamh could only be successful as a model by losing weight. Niamh has also been diagnosed with polycystic ovary syndrome, only the second time I've encountered the condition in young adult, the other being the incredible It Sounded Better in My Head by Nina Kenwood.
It was ahhhmaaaaazing. Big, big love for books that explore positive queer experiences for teens, helping reading audiences relate and to feel not so alone. It's about living your life, learning from your mistakes and shaping up because you need a man.
Sorry, I couldn't resist.
Written by Thanhhà Lai
Historical Fiction, Cultural, Diverse, Friendship
296 Pages
Published March 3rd 2020
Thank you to UQP
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★★★★★
Hằng doesn’t believe in adventures.
There are steps that must be done, and once done, another step awaits. The last step, after six years of minute planning by her grandmother, is a bus ride away. In Amarillo her baby brother has to be waiting. In her imaginings, he is always waiting.
National Book Award and Newbery Honor winning author Thanhhà Lại makes her young adult debut in this deeply moving story of courage, redemption, friendship, family and new beginnings.
The conflict in Việt Nam created impoverished conditions, families malnourished, communities decimated as the communist government occupied Southern Việt Nam. Hằng has escaped Việt Nam, her journey as an asylum seeker harrowing as she is resettled with her uncle Chú Quốc and her cousins in the American South. As the conflict in Việt Nam concluded, authorities begun evacuating orphans from Saigon. Hằng and her brother Linh prepared for evacuation among the children experiencing the devastation of losing their families. Their mother and grandmother sacrificing to provide the children with safe passage amidst the conflict.
A young girl only twelve years of age, Hằng was denied passage, Linh forcibly removed from his sister and taken onboard for evacuation. Hằng returning to their small Việt Nam village devastated and grieving for her brother. In his absence, his grandmother became inflicted with illness, his father passing, believing his son was abducted. Hằng has endured famine and conflict as a young woman evading the attention of soldiers settled within the community.
Tens of millions of communities around the world are displaced, seeking asylum from persecution, conflict, violence, or human rights violations within their native countries. In Australia, where many refugees from Việt Nam were brought, our human rights violations are deplorable, denying those seeking asylum refuge. Hằng and her mother boarded a small, crowded fishing vessel en voyage to find Linh. Their journey is fraught with uncertainty, dangerous conditions on a small ramshackle vessel unable to elude pirates on the open waters. Passengers slain, women and girls captured, Hằng disguised as a young boy, surviving as a nonthreatening figure and disregarded.
Arriving in Dallas, Hằng is homed with her uncle Chú Quốc and his family, Vietnamese Americans living affluent lives. The contrast between Hằng and her cousin, both of Vietnamese descent is immense. Hằng isn't consumed by material possessions, she's fixated with finding Linh and although her uncle suggests seeking legal advice, Hằng journeys alone to retrieve her brother.
Leeroy is an aspiring cowboy, modelling himself on a local legendary rodeo champion and travelling the infamous Panhandle in search of the American dream despite his parents insistence on attending college. Ambushed by an Christian couple on Southern hospitality, Leeroy is coerced to accompany a destitute Hằng to her brothers last known address. An unlikely and tentative companionship begins as the two young adults find employment as ranch hands on a sprawling homestead neighbouring Linh and his adoptive mother, his horse lodging at the ranch. It's a precarious situation, Linh or David as he's now known, is twelve years old and seemingly remembers little from Việt Nam, including Hằng. Hằng's intensity is balanced by Leeroy's humour and carefree attitude, David and Leeroy developing an easy rapport while Hằng observes from a distance.
Hằng's narrative is heartachingly tender. Her journey unravels to reveal her ordeal, the traumatic circumstances of leaving Việt Nam, losing her family, losing her brother, the traumatisation she endures in silence. Hằng's character is based on a photograph Thanhhà Lai encountered of a young girl at a Buddhist temple she visited, photographs of lives lost. Her journey is distressing and confronting, encouraging readers to examine our privileges. Although Butterfly Yellow is a fictional narrative of the refugee experience, it represents the precarious and volatile conditions in which those seeking asylum are escaping. Encouraging compassion and understanding throughout the western world. A remarkable and thought provoking read that will ignite discussion.
Achingly beautiful.
Written by Ryan La Sala
Fantasy, Magic, LGBT
384 Pages
Published December 2019
Thank you to New South Books
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★★★★★
All Kane Montgomery knows for certain is that the police found him half dead in the river. He can’t remember how he got there, what happened after, and why his life seems so different now. And it’s not just Kane who’s different, the world feels off, reality itself seems different.
As Kane pieces together clues, three almost-strangers claim to be his friends and the only people who can truly tell him what’s going on. But as he and the others are dragged into unimaginable worlds that materialise out of nowhere, the gym warps into a subterranean temple, a historical home nearby blooms into a Victorian romance rife with scandal and sorcery, Kane realises that nothing in his life is an accident. And when a sinister force threatens to alter reality for good, they will have to do everything they can to stop it before it unravels everything they know.
This wildly imaginative debut explores what happens when the secret worlds that people hide within themselves come to light.
Kane Montgomery was found on the embankment in the Cobalt Complex among the scorched remains, an abandoned industrial estate and landmark in the small town of East Amity. The local authorities are questioning Kane. Why was he trespassing on private property and why did he set the landmark ablaze? Unable to remember the incident or the months preceding, Kane is appointed a counsellor, assigned a journal and coerced into providing information in exchange for his freedom from incarceration. It's an impossible situation. Kane believes he's ostracised by his peers and Doctor Posey offers a sense of belonging and kinship, seemingly understanding of his precarious situation. What Doctor Posey lacks in subtlety, they more than compensate in cryptic information, knowing all too well how Kane has lost his memories.
Investigating the scene of the incident, Kane is no closer to discovering his memories, the town believing the ostracised young man many have attempted suicide. Did he? Boisterous and opinionated sibling Sophie doesn't agree. Doctor Posey is fabulously sinister, an extravagant drag queen sorceress who may hold the key to unlocking Kane's memories. Quite literally. Posey sees the injustice of the world and wants to fashion a new version of the sleepy Connecticut town. Everyone shall live within the new reality of a Reverie, their narratives controlled and forever trapped within their world of elaborate trinkets and fabulous coiffed hair while living their best life. The Others must put an end to Posey's madness, who would want to live in such a world? I ask as the entire reading audience raises their hand.
The Others are a small alliance of local adolescents who guide the Reverie, appearing as characters within the dreamscape and remaining lucid throughout. Although Kane cannot remember, he is responsible for guiding the Reverie narrative to completion. It isn't until he overhears a ragtag group of students talking about strange new worlds that he learns who he truly is and he's not alone, he has friends, although somewhat peculiar and slightly terrifying for a multitude of reasons. Kane's sexuality has always been the target of ignorant and homophobic peers so to find out he has friends is a delight. Gosh I felt for the poor confused boy, Kane is so lovely and kindhearted and deserves to be surrounded by people who care deeply for him. Ursula was that person. An old friend who suddenly feels like a new friend who is passionate and athletic and makes absolutely no excuses for herself.
Ursula understands what it feels like to be labelled, being a tall young woman with an athletic build, she's labelled a lesbian as though it's an insult. She's incredibly kind and patient with Kane and their friendship seemed to ease Kane's anxiety. Each member of The Others holds a special power, Ursula has speed and strength on her side, cheerleader and aloof Adeline can wipe your memories and Elliot can cast illusions, which comes in handy when you're sneaking around trying to thwart the plans of a villainous drag queen. Regardless of how fabulous her wigs are.
A Reverie is a vividly imagined narrative that manifests as a dreamscape, depicting our wildest desires, aspirations or turmoil. Worlds created from our sprawling imagination. of romance, betrayal and heroism. The Others remain lucid throughout the experience, assisting the Reverie to conclusion without interfering regardless of the dreamscape. The premise is breathtaking and beautifully imagined.
Reverie also touches on queer communities and the queerphobia they endure. Kane was isolated by his peers for being gay. At a young age, Kane was outed due to his eccentricities and avoided by other boys in elementary school, no longer invited to sleepovers as if being gay was contagious, causing Kane to withdraw from his peers. Ursula understands. Why does society feel the need to label athletic women as lesbians? It happens in all aspects of women's sport. Regardless of their sexual orientation, females have every right to play sport without being labelled or objectified. If society and in particular men, learnt to respect women and shut their damn mouths, I dare say more females would feel comfortable being active. Adeline isn't without her detractors. Being a cheerleader, she's assumed to be unintelligent or even dimwitted when in fact, it's quite the opposite. She's feisty, fierce and someone you need on your team when battling Posey in all her evil fabulousness.
Posey may be the villain but she's absolutely fabulous! At first Posey describes herself as a man in mascara but throughout the narration, Posey is referred to as she or her. I'm not certain if Posey is a drag queen or transgender but she's a phenomenal character who struts onto the page to her own theme music, tinkling in trinkets on her wrist and coiffed wigs to the nines. I adored her.
Reverie is a fantastical journey of adventure, breaking stereotypes and coiffed hair with a side dish of jazz hands. Outrageously fabulous!
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