Realistic Fiction
Contains sensitive issues such as homophobia, transphobia and conversion therapy
Written by Harry Cook
Contemporary, Mental Health, Queer, Australian
Published August 2020
352 Pages
Thank you to New South Books
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★★★★☆
A gloriously upbeat LGBTQI novel of love, hope and friendship, showing that although it's not always rainbows and fireflies, life's too short to be anyone but yourself...
It started with a kiss... As love stories often do. Jesse Andrews had the arms of a Greek god and he was on the track team. The night of our kiss fell on a Friday.
Then, only a few days later, Fin's world is turned upside down and not in a good head over heels in love way, when Jesse cruelly outs him. An event which ultimately leads to his family leaving town.
But a fresh start isn't going to change the truth of who Fin is. And it's not going to stop his sexuality causing everyone all sorts of problems. Everyone, that is, apart from his new best friend Poppy, her girlfriend in waiting June, and his latest crush Rye... So, while Fin and Rye are enjoying some seriously intimate moonlit moments together, Fin's parents decide to pack him off to the local therapy camp.
It's a nightmare and there's no easy way out. Can Fin's squad hatch a plan outrageous enough to spring him before the conversion acolytes force him onto the straight and narrow?
As far as the town of Lochport are concerned, Fin Whittle is a heterosexual son, his parents are conservative members of the community and there is absolutely nothing out of the ordinary here. His father certainly didn't evacuate his entire family because his son is gay and this fresh start, terribly disguised as a work promotion, is most certainly not a bigoted overreaction of the sexuality of your child. Most certainly not. They certainly aren't concerned about the welfare of their son after his sexuality became the hottest gossip in the small conservative and religious community, labelled as perverted with unnatural tenancies. Surely their new home in Lochport will set him straight. Insert fist shaking and extreme eye rolling here.
Fin is lovely and tenderhearted, he identifies as gay and although he's confided in a few close friends, isn't ready to tell the world just yet so when he was cruelly outed by his former crush, his confidence took quite the beating. His parents more concerned with how they're perceived rather than the mental and emotional wellness of their son, as though sexuality is a choice and his father can threaten the gay out of him. Fin's distress is palpable and confronting, especially for queer readers so please tread lightly friends. Fin's father isn't old school, as Fin's brother Elliot would describe him, he's a conservative asshole and a foreboding presence in Fin's life.
Lochport is a seaside town with a small and inclusive community of queer students representing gender, sexuality and straight allies. Poppy identifies as pansexual, she's totally in love with June, her former girlfriend, transgender and chairperson of the Queer Straight Alliance. June is a gentle soul, I loved her sense of justice and wanting to educate others to create an inclusive environment. Poppy is a firecracker, fiercely loyal to her friends, brutally honest and won't hesitate to knock anyone down a few pegs for being a dickhead. Everyone needs a Poppy in their life.
Rye, along with his trusty sidekick British Bulldog Thelma, is the perfect example of why we need more kind and compassionate male characters in young adult. He's wonderfully sensitive and wears his heart on his sleeve. Rye has anxiety and when it all becomes too much, escapes to his secret hideaway at Kettle Lake, chilling and watching the fireflies dance upon the water. At the lake under moonlit skies, Rye and Fin begin falling for one another, the coy smiles and gentle touches are beautiful and I treasured seeing them finding solace with one another.
I was absolutely horrified by Fin's father, his beliefs and straight up homophobia. His mother is slightly more understanding but allows Fin to be treated like shit to appease her husband. I wanted to slap them both into next week. Here you have a wonderful young man, smart, sensitive and compassionate, who just happens to be gay and he's stuck with these horrible shithead parents who send him to conversion therapy to brainwash the gay away. Thank goodness for Elliot, Fin's older brother who has returned home from travelling abroad. He recognised from an early age that Fin may have been gay and wants nothing more than to love, cherish and support his brother, standing up to their father so Fin isn't in this fight alone. I don't know what kind of Christian malarkey this is but I was fuming. Conversion therapy isn't something I know much about but how fucking dare anyone tell someone that falling in love, regardless of gender, is unnatural, that they're unnatural and these charlatan assholes should be imprisoned.
The heaviness surrounding queerphobia, conversion therapy and the issues the queer community face is balanced wonderfully with a hopeful and tender story of friendship, falling in love and the strength and resilience of queer teens. It's beautifully written and an incredible young adult debut from Harry Cook, who will no doubt become a force to be reckoned with. Just outstanding!
Written by Kay Kerr
Contemporary, Realistic Fiction, Australia
288 Pages
Published April 28th 2020
Thank you to Text Publishing
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★★★★★
A funny serious own voices story about what happens when you stop trying to be the person other people expect you to be and give yourself a go.
Erin is looking forward to schoolies, at least she thinks she is. But things are not going to plan. Life is getting messy, and for Erin, who is autistic, that’s a big problem. She’s lost her job at Surf Zone after an incident that clearly was not her fault. Her driving test went badly even though she followed the instructions perfectly. Her boyfriend is not turning out to be the romantic type. And she’s missing her brother, Rudy, who left almost a year ago.
But now that she’s writing letters to him, some things are beginning to make just a tiny bit of sense.
Please Don't Hug Me is compulsory reading. Narrated from the perspective of seventeen year old Erin as she shares her thoughts in a series of letters to her brother Rudy. Rudy was a popular young man and after a disagreement with his parents, escaped the confines of the family home and the expectations of his parents. Five year old Oliver barely remembers his brother, their mother is consumed by keeping her family together while their father searches for understanding at the local tavern, drowning his sorrows in alcohol.
Erin is an intelligent and incredible young woman, navigating a neurotypical environment from the perspective of a person on the spectrum and sharing her intimate, analytical, and often tumultuous thoughts on life, love, friends, family and autism. Erin begins her correspondence as she prepares to look for casual employment, leaving her previous position feeling misunderstood and underappreciated, resulting in an outburst. For Erin, feeling emotional and overwhelmed are two instances in which her psychologist encourages her to practice being present in the moment, while Erin keeps a secret list of her indiscretions each day to release her tension and as she enters her final year of school, Rudy is missing her important milestones.
Beyond her family, Erin has only confided in two friends of her diagnosis, her best friend since childhood Dee and her boyfriend, the disappointing Mitch. Dee is friendly, created from sunshine and laughter and understands when Erin is feeling overwhelmed, arming herself with doughnuts and waiting on her doorstep. Dee is charming, lighthearted and a young woman also finding her place in the world but her friendship with Erin wasn't always a positive influence on Erin's mental health. Especially at school, allowing her friends to make Erin feel uncomfortable. Her friendship is important to Erin but also restricted her personal growth as she transitioned into adulthood.
As Erin begins in her new position at a clothing store predominantly for seniors, she develops a friendship with Agnus, an Indigenous, Quandamooka young woman, musician and activist who endures depression. Aggie is a wonderful influence on Erin, allowing her to guide their friendship so she feels comfortable, offering support and understanding. In comparison to her friendship with Dee, their friendship signified a new and exciting chapter of life for Erin.
Throughout her letters, we see Erin grow in confidence, learning to care for herself and others and coping mechanisms. Please Don't Hug Me encourages awareness of those on the spectrum, empathy and the mentality from neurotypical society. Observing our environment through the thoughts of Erin was remarkable and profoundly intimate, navigating social situations, employment, her education and friendships and relationships. It was beautiful, poignant and an incredibly important read, as neurological conditions are rarely discussed in young adult literature.
Sincere, unflinching and achingly beautiful, Please Don't Hug Me is an exceptional and remarkable debut.
Written by Vikki Wakefield
Contemporary, Realistic Fiction, #loveozya
320 Pages
Published September 3rd 2019
Thanks to Text Publishing
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★★★★★
I have questions I’ve never asked. Worries I’ve never shared. Thoughts that circle and collide and die screaming because they never make it outside my head. Stuff like that, if you let it go, it's a survival risk.
Sixteen year old Nate McKee is doing his best to be invisible. He’s worried about a lot of things. How his dad treats Nance and his twin half brothers, the hydro crop in his bedroom, his reckless friend, Merrick.
Nate hangs out at the local youth centre and fills his notebooks with things he can’t say. But when some of his pages are stolen, and his words are graffitied at the centre, Nate realises he has allies.
He might be able to make a difference, change his life, and claim his future. Or can he?
For sixteen year old Nathaniel McKee, survival is learning to not to draw attention to yourself, to keep your head down and avoid confrontation. Living in their ramshackle government housing apartment is suffocating, Nate is reminded each day of the mother that abandoned him for her substance addiction, leaving him with his alcoholic, abusive father who uses toxic masculinity as a shield. Now with his new partner eight years his junior, Nance struggles to care for their two young boys Jake and Otis. Otis has developmental difficulties but has responding to cues from Nate of late, angering their father even further.
Nate McKee is a pacifist, sympathetic to the environment and sustainability. Avoiding confrontation with his father, Nate escapes to Youth Works, the local youth centre where the quietude and solace allow him to gather his thoughts in a series of notebooks, composing poems and anecdotes of the things he is too afraid to say aloud. Rowley Park is a low socioeconomic suburb where only the resilient survive and for adolescents like Nate and best friend Merrick, Youth Works provides a haven for those without a safe environment at home.
This is How We Change the Ending represents our low socioeconomic communities around Australia, public schooling, government housing and often areas with above average crime rates as residents are unemployed and unable to support their families financially. Our elected governments consider them as statistics, they're often our neighbours, our friends or our own families and Nate McKee is a vulnerable young man susceptible to becoming a stereotype.
Youth Works is a government funded local initiative for the youth of Rowley Park, providing security and a sense of belonging for those feeling misunderstood, displaced or lonely. The youth counsellors are supportive and encourage adolescents to become independent and motivated, including Nate and Merrick, friends and neighbours since childhood. Merrick is spontaneous, charismatic and a steadfast friend, although underappreciated. Nate is also challenged by English teacher Mister Reid, to think laterally and creatively. He instills a sense of confidence and ambition in his students. Mister Reid and counsellor Macy are important influences for Nate and through their interactions, he's determined to become more than a statistic.
This is How We Change the Ending is harrowing, traumatic and incredibly optimistic. Vikki Wakefield captures the voice of Australia's toughest and most vulnerable families throughout our working class and low socioeconomic suburbs. Authentic, compassionate and a remarkable narrative cementing Vikki Wakefield as an exceptional Australian young adult author. Sublime reading.
contains alcoholism, death, abuse and drug abuse
Written by Jennifer Mathieu
Contemporary, Realistic Fiction, Family
336 Pages
Published 10th September 2019
Thanks to Hachette Australia
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★★★★
How can one family have so many secrets?
It's the summer of 1986. Joaquin and Elena, two teenage siblings live in a toxic environment with their alcoholic mother on an island off the Texas Gulf Coast.
Elena falls for a new boy who has just arrived from California. Joaquin must wrestle with his decision to stay on Mariposa Island to protect his sister or flee from his mother's abuse.
As both teenagers struggle to figure out who they are and want to be, they are caught in a web of family dysfunction and secrets from their mother's past.
Can fierce love save them, or will their truth tear them apart?
During the nineteen eighties, Mariposa Island is a summer playground for the wealthy and frivolous, for siblings Joaquin and Elena Finney, it's home. Under the vigilant and suspicious scrutiny of their mother, Joaquin is allowed to socialise with friends without a curfew, Elena is only given permission to leave the house accompanied by Joaquin and to work minding children for a wealthy family on the island that visits during summer each year. Her Mami warning Elena of menacing boys who will leave her in ruins. Elena is expected to tend to their small, ramshackle home while her alcoholic mother seethes about her own life, the breakdown of her marriage and her life as a pampered debutante in Havana during the rise of the Communist Party and Fidel Castro.
Caridad de la Guardia was the only child of attentive parents, wealthy socialites of Havana, cherished by her parents, treasured by her housemaid and revered by her island community. As a young woman, Caridad was removed from her home and sent to the United States under the guise of an education during the Cuban Revolution. Fostered by an American family, Caridad despised being abandoned by her parents and learning to communicate in English. Her only means of escapism was to fall in love with an American boy and create a life similar to her opulent lifestyle in Havana. Now living on the Island, Caridad seeks companionship in alcohol and reminding her children of their own father's abandonment.
Mariposa Island thrives on secrets and untruths, of tangled lives and manipulation. Told from the perspectives of Caridad as a child living in Havana and siblings Elena and Joaquin, presently residents of the island, the narrative explores family and tangled lives of deception.
Now a parent with two children on the pinnacle of adulthood, Caridad's nonlinear narrative fluctuates between carefree child and the hostile, vitriolic woman she's become. An alcoholic and an abuser. Her children are a reminder of the life she believes she was cruelly denied, her parents sending her to the United States to escape the Cuban Revolution and unbeknown to Caridad, saving her life. She's hostile towards her foster parents, an American family who care for Caridad despite her growing resentment.
Joaquin and Elena have never known their father, only the distant memory of the man their mother continuously reiterates that abandoned his young family. Elena is a sheltered young woman, suffocating under the judgemental scrutiny of her mother and a peacekeeper, simmering arguments between Joaquin and their mother while yearning for her mother's approval. Joaquin is independent and often challenges their mother, confronting her about her alcoholism and the animosity she holds for her children. Although siblings, Elena and Joaquin live parallel lives. Joaquin is employed in a local family restaurant and Elena is a casual nanny for the Callahan family each summer and her only means of escape from her mother's tyranny. Joaquin is the preferable Finney sibling and although he despises his mother, he's fond of Elena and encourages her to defend herself.
Elena begins sneaking out during her mother's drunken unconsciousness to see her boyfriend, a nineteen year old staying in town for the summer. Manipulated and exploited by an older, experienced man, Elena has become reckless and abandons her best friend. When Elena's and Caridad's lies begin to unravel, it becomes apparent that Joaquin's survival depends on escaping the island. No longer able to live with the lies and deception. He's suffocating.
I was captivated by the intensity of the narrative and their tangled deception. Elena was an unreliable narrator, her untruths had become her reality and I was swept along by her dishonesty. I believed her. Caridad's alcoholism to escape her reality is distressing, disregarding her own children while reminiscing about her life in Havana and regretting the life she's been saddled with. Lies layered upon untruths and manipulation, it was a toxic and vicious cycle that was destroying Elena's, Caridad's and Joaquin's lives.
Jennifer Mathieu is a remarkable storyteller, I was captivated by the Finney family and their entwined deception and betrayal. To put it bluntly, they're fucked, they'll fuck you up and you'll enjoy every fucking moment.
Contains potentially triggering mentions of the loss of a parent, fire, death and suicide
Written by Erin Stewart
Contemporary, Realistic Fiction, Disability
384 Pages
Published October 1st 2019
Thank you to Simon and Schuster Australia
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★★★★
Everyone has scars. Some are just easier to see.
Sixteen year old Ava Gardener is heading back to school one year after a house fire left her severely disfigured. She’s used to the names, the stares, the discomfort, but there’s one name she hates most of all. Survivor. What do you call someone who didn’t mean to survive? Who sometimes wishes she hadn't?
When she meets a fellow survivor named Piper at therapy, Ava begins to feel like she’s not facing the nightmare alone. Piper helps Ava reclaim the pieces of Ava Before the Fire, a normal girl who kissed boys and sang on stage. But Piper is fighting her own battle for survival and when Ava almost loses her best friend, she must decide if the new normal she’s chasing has more to do with the girl in the glass, or the people by her side.
Ava Gardener is the sole survivor of a house fire that took the lives of her parents and cousin Sara. Ava lives with the scars that serve as a reminder of her sorrow, for the lives lost that fateful day and the life that she's been so cruelly denied. Once an outgoing and popular girl, Ava has become a recluse, completing her education through correspondence and reluctantly attending group counselling appointments for adolescents who have survived tragedy and trauma.
Enduring invasive reconstructive surgery and grafts, Ava is restricted to compression bandages to ensure her skin remains taut during the heeling process, her aunt and uncle working tirelessly to afford Ava's ongoing medical expenses. Cared for by her aunt and uncle, Sara's parents who are mourning the loss of their only child, Ava understands the financial burden she's become. Championing her recovery, Cora is enthusiastic when Ava's counsellor suggests Ava return to school, no longer challenged by her online studies and needing to gain a sense of normalcy so to appease Cora, Ava agrees to a two week trial.
Ava Gardener is a wonderful young woman who has endured devastating tragedy, losing her parents and cousin in traumatic circumstances and although heavily scarred, Ava survived. The intensity of the fire burnt over sixty percent of Ava's skin and although she's endured multiple grafting procedures, Ava's facial scarring has become a barrier in regaining her independence. Through counselling Ava befriends Piper, the two young women both survivors. Piper was involved in a car accident and now physically disabled as a result, never allowing herself to become a victim or survivor but rather a girl who is thriving. Neither Ava or Piper serve as an inspiration to others, they simply want to experience adolescence.
Ava and Piper are characters of contrast, Ava wants to remain as inconspicuous as possible, Piper is self deprecating and uses humour to make antagonisers and detractors feel uncomfortable. Ava is a kindred spirit filling the void of loneliness for Piper, Piper encourages Ava to broaden her horizons and although both Piper and Ava continue to navigate their tentative friendship, Ava's confidence begins to blossom.
Scars Like Wings is a gentle and healing narrative, to not merely survive but to endure, to exist and to live again. Diverse young adult literature is almost exclusively sexually diverse, multicultural, multigender or hearing and vision impaired and Scars Like Wings is an incredibly important narrative. Physical scarring can often be debilitating, not only effecting confidence but the discomfort and pain associated with skin trauma. Ava's experience in finding her sense of normalcy is a personal journey, she experiences isolation, undiagnosed depression, acute pain and her movements restricted due to her compression bandages. Her recovery is ongoing, with Cora massaging ointment into her skin nightly. Psychologically, Ava also experiences vivid reminders of her loss which some readers may find confronting.
Erin Stewart has authored a tender, captivating narrative and an unflinching account of the scars we carry. Some not always visible. A beautifully compassionate debut novel and essential reading.
Ava and Piper are characters of contrast, Ava wants to remain as inconspicuous as possible, Piper is self deprecating and uses humour to make antagonisers and detractors feel uncomfortable. Ava is a kindred spirit filling the void of loneliness for Piper, Piper encourages Ava to broaden her horizons and although both Piper and Ava continue to navigate their tentative friendship, Ava's confidence begins to blossom.
Scars Like Wings is a gentle and healing narrative, to not merely survive but to endure, to exist and to live again. Diverse young adult literature is almost exclusively sexually diverse, multicultural, multigender or hearing and vision impaired and Scars Like Wings is an incredibly important narrative. Physical scarring can often be debilitating, not only effecting confidence but the discomfort and pain associated with skin trauma. Ava's experience in finding her sense of normalcy is a personal journey, she experiences isolation, undiagnosed depression, acute pain and her movements restricted due to her compression bandages. Her recovery is ongoing, with Cora massaging ointment into her skin nightly. Psychologically, Ava also experiences vivid reminders of her loss which some readers may find confronting.
Erin Stewart has authored a tender, captivating narrative and an unflinching account of the scars we carry. Some not always visible. A beautifully compassionate debut novel and essential reading.
Written by Nina Kenwood
Contemporary, Coming Of Age, #LoveOZYA
Published August 6th 2019
304 Pages
Thank you to Text Publishing
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★★★★★
When her parents announce their impending separation, Natalie can’t understand why no one is fighting or at least mildly upset. And now that Zach and Lucy, her two best friends, have fallen in love, she’s feeling slightly miffed and decidedly awkward.Natalie has been blindsided by her parents separation, despite them having slept in separate bedrooms for the past ten months. Vowing to remain friends and speaking in calming tones, it's just another aspect of Natalie's life she no longer has control over.
Where does she fit in now? And what has happened to the version of her life that played out like a TV show, with just the right amount of banter, pining and meaningful looks?
Nothing is going according to plan.
But then an unexpected romance comes along and shakes things up even further.
Growing up, Natalie didn't have it easy, each day her body rallied against her, leaving her self esteem in a shambles and her confidence battered and bruised. Her painful acne outbreaks, heavy periods and wanting the world to open and swallow her whole and although her skin these days is a little clearer and she has friends she can turn to in her hours of need, Natalie still sees herself as the lonely girl who was so desperately in need of a friend.
I can't even begin to tell you how refreshing it is to see a young adult protagonist who's real. Natalie is the every girl, often painfully shy, an introvert who chooses to stay home as often as possible. Growing up, Natalie's confidence was non existent, especially with her painful acne breakouts. She would try to disappear behind the curtain of her hair and not draw attention to herself, it was easier to become invisible than to have people talking about your bad skin. But still, they did. When you're lacking in confidence and self esteem, any self perceived flaw makes you a target. Bad skin, weight and in my case, horrifically frizzy hair and outbreaks. If Natalie can talk about it, I can certain lay bare.
Fifteen was a difficult age for me. This was before the age of hair straighteners, when we would literally lay our head down on our mother's ironing board and iron our hair straight. If I had great hair then people wouldn't look too closely at my face, which was horrifically acne prone. Like Natalie, I was on medication twice daily to control my outbreaks but once I turned sixteen, it magically disappeared. Spoiler, my hair is still frizzy. Anyone who says being a teen are the best years of your life? They're either lying or too old to remember. Your teen years are some of the most difficult.
Being a party person is completely overrated, just ask Natalie. She's content to hang with friends Lucy and Zach, both of who she met at a camp a few years ago. Natalie was the mutual friend until Zach and Lucy started hooking up, now they're in a relationship and although they include Natalie in most of their plans, it's a bit awkward when your two best friends are having sex and Natalie's sick of being the third wheel and wouldn't mind meeting her special someone. When Zach's super hot brother Alex and friend Owen invite Natalie to a party, her anxiety is sent into overdrive. Why are super hot people even talking to her, never mind inviting her to a party. It has to be a joke, right?
Oh the romance! Adorable. No doubt that Alex is hot but Natalie also assumes with his hotness comes arrogance and he's really quite a sweet boy who's just ridiculously good looking. He also thinks Natalie is beautiful. What I really liked about Alex was that he also allowed Natalie to set the parameters of their relationship and ensuring she was always comfortable. It was frustrating to see those around Natalie not so keen on their relationship, warning her that Alex would ultimately hurt her. Natalie seemingly felt as though they were insinuating that she was naive or Alex's interest would wander. Although their concerns came from a place of looking out for Natalie, it was disappointing that no one had faith in their ability to make it work.
Oh the romance! Adorable. No doubt that Alex is hot but Natalie also assumes with his hotness comes arrogance and he's really quite a sweet boy who's just ridiculously good looking. He also thinks Natalie is beautiful. What I really liked about Alex was that he also allowed Natalie to set the parameters of their relationship and ensuring she was always comfortable. It was frustrating to see those around Natalie not so keen on their relationship, warning her that Alex would ultimately hurt her. Natalie seemingly felt as though they were insinuating that she was naive or Alex's interest would wander. Although their concerns came from a place of looking out for Natalie, it was disappointing that no one had faith in their ability to make it work.
Oh Natalie, I feel you. When you've been down on yourself for so long and watched enough eighties movies where the ordinary girl next door is invited on a date with the super hot random guy, it never ends well. If movies have taught me anything, we can't all be Drew Barrymore returning to high school, nabbing the hot unobtainable guy and the teacher. Especially as females, we convince ourselves that we're not worthy and when these moments of happiness present themselves, we're squinting and looking around for the asshole who's sniggering at our demise.
Natalie is the perfect example of pushing ourselves out of those pyjama wearing comfort zones, it's shit your pants scary but it's how we also grow as people. Through experiences. Natalie doesn't transform into the beautiful swan, she's beautiful as she is but she does start to realise her self worth and realise that not everyone is worthy of her. There's nothing sexier than a woman finding her confidence and Natalie is beginning to develop hers in spades.
It Sounded Better in My Head is a narrative that contains adolescent issues seldom mentioned in young adult literature, periods and the fear of bleeding through our underwear while in public, about polycystic ovary syndrome, painful acne, our confidence and worth. Even as adults, seeing a character like Natalie gracing our pages helps us to feel vindicated, that it's not just me who experienced this, Natalie is someone who understands the ache we carry through to our adult years, of our rattled confidence and the feeling of not being so alone.
I have never found a character more relatable than Natalie. She's you, she's the girl next door, she's your sister, your best friend. She's me. It's books like this that I needed as a teen, a friend, someone you can confide in. For the girl with breakouts and acne prone skin, the girl who made it through puberty with stretch marks, the girl who has no idea what to do with her pubic hair or the one who wears two pads and is still worried about a heavy period. Hands up who had at least one incident of bleeding through their pants in high school?
So embrace your weird bits because all women are beautiful. I've been there Natalie, hang in there girl.
I have never found a character more relatable than Natalie. She's you, she's the girl next door, she's your sister, your best friend. She's me. It's books like this that I needed as a teen, a friend, someone you can confide in. For the girl with breakouts and acne prone skin, the girl who made it through puberty with stretch marks, the girl who has no idea what to do with her pubic hair or the one who wears two pads and is still worried about a heavy period. Hands up who had at least one incident of bleeding through their pants in high school?
So embrace your weird bits because all women are beautiful. I've been there Natalie, hang in there girl.
Written by Ingrid Laguna
Contemporary, Diverse, #LoveOZMG
Published May 7th 2019
176 Pages
Thank you to Text Publishing
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★★★★★
Jamila has left her friends, her school and her home in Iraq, and now she has a new home. It’s safe in Australia, but Jamila is finding it hard to settle in. She misses her best friend and worries for her dad’s safety back in Iraq. It’s hard to speak and write in English all day. And Jamila has a secret she wants to keep hidden.
When she joins the choir, Jamila begins to feel happy. Singing helps take her worries away. And singing will help her find her place in her new life, a place where she can shine.
Songbird is a tender story about belonging, about the importance of friendship and asking for help, and about the parts of our lives we keep concealed.
Jamila has migrated to Australia from Baghdad Iraq, a country ravaged by conflict. In their quiet and humble Melbourne home, Jamila and her mother await the arrival of their father and husband from Baghdad, an investigative journalist taking shelter from the authorities. Feeling displaced and missing her homeland, Jamila attends school, translates English for her mother and helps care for her brother, often at the expense of attending school.
Jamila is gentle soul, her character is representative of Australia's diverse multiculturalism and the overwhelming feeling of being displaced. She wears a hijab, a traditional head covering that attracts questions from her peers and unfortunately, incidents of casual racism. Her heart aches for a real friend, someone she can talk to and share her fears about her father without judgement but attending a school that's predominately caucasian and born in Australia, she longs for her best friend Mina who she left behind in Iraq. Jamila seeks solace in the power of song, reminding her of her time in Iraq where she was affectionately known as the songbird. It's through her love of music where Jamila meets her first friend and new student Eva.
While Eva eases the ache of being in a new, unfamiliar country, Jamila still fears for her father and with no word on his arrival, fears the worst. I adored the friendship between Jamila and Eve, Eve is an Australian girl from Sydney who lives with her Aunt while her father works and befriends Jamila through their love of song. She's supportive and ensures Jamila feels comfortable and encourages her to share her experiences as a young girl in a new country. Although on a lesser scale, Eva understands Jamila's feelings of trying to fit in and with a predominant birthmark on her face, knows all too well the cruelty of other children.
Songbird is a beautiful narrative and exploration of the refugee experience through the eyes of a young girl aching to belong. In a country that preaches acceptance but rarely accepts migrants or those who are different, Jamila's mother felt this very deeply. With a small amount of English, she needed help navigating tasks like supermarket shopping and speaking to government departments, often calling the school during the day to pick Jamila up to assist her. I was so relieved for both her mother and Jamila when the Migrant Resource Centre reached out and she was able to connect to a support officer who not only understood but was also originally from Iraq. These services are so incredibly important to help refugees settle within Australia, a sector that needs more government funding to support our multicultural communities.
Songbird is absolutely lovely, a gentle narrative about acceptance, friendship and family. Achingly beautiful.
Written by Orlagh Collins
Contemporary, LGBT, Mental Health
Published March 7th 2019
320 Pages
Thank you to Bloomsbury Australia
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★★★☆
Vetty's family is moving back to London, and all she can think about is seeing Pez again. They were inseparable when they were small, roaming the city in the long summers, sharing everything. But everyone's telling her it'll be different now. After all, a boy and a girl can't really be friends without feelings getting in the way, can they?
Vetty thinks differently until Pez tells her she's not like other girls. But what does that even mean? Is it a good thing or not? Suddenly she's wondering whether she wants him to see her like the others, like the ultra glamorous March, who's worked some sort of spell on Pez, or the girls in the videos that Pez has hidden on his laptop.
How can she measure up to them? And who says that's what a girl is supposed to be like anyway?
Helvetica has never quite felt herself since her mother passed away after her cancer diagnosis and her father relocated his young family from London to Somerset, exchanging the vibrant city for a cottage retreat. Living in Somerset, the family are now returning to London to resume their lives, including seeing Peregrine once more. Helvetica and Peregrine were childhood friends, neighbours and adventurers but have since lost contact.
Since the loss of her mother, Helvetica has adapted into a mothering role for younger sister Arial, both sibling names a tribute to their mother's love of fonts. Their father now widowed, moving his young family to the country with his sister and her partner while he continued to work from their small cottage on the family property. Grieving and overwhelmed, Helvetica begun to reinvent herself to assimilate and suppress her sexuality.
Throughout the narrative, Helvetica identifies with an attraction towards males and females, realising she's bisexual and feeling a sense of ownership and belonging. It's a defining moment of her sexual identity and within young adult literature. Our adolescent years is when we are exploring our sense of identity which often includes our sexuality and experiencing Helvetica's feelings of confusion is palpable. Another aspect of Helvetica's sexuality is when she discusses her feelings with her Aunt who identifies as lesbian. When describing her attraction towards females on the eve of their same gender wedding, her Aunt assumes Helvetica is also a lesbian in which she later apologises. It would have been wonderful to have experienced her unconditional support for Helvetica during their conversation, rather than have an adult place labels upon her sexual identity. Although it's presumed to be a moment of compassion and understanding, even camaraderie could be interpreted as bisexual or pansexual erasure which some may find distressing.
Peregrine is an interesting character but incredibly abrasive and narcissistic. After Helvetica moved to Somerset, the phone calls became less frequent, messages left unanswered. A young girl grieving, navigating life without her mother and caring for a younger sibling, when returning to London and her small apartment across from the lavish home he shares with his parents, Peregrine was irritable, resentful and seemingly refusing to accept responsibility for his behaviour. Including his addiction to pornography. Peregrine describes his compulsion as an inadequacy and that he's unable to have a sexual relationship because he feels desensitised, impotent and defective. It's important to emphasise that relationships exist beyond a physical relationship, potentially insensitive to those who identify as asexual.
It was wonderful that female masturbation is explored and as a positive experience. Younger sister Arial is also approaching adolescence and is curious about her body and sexuality and with her father emotionally absent, Helvetica helps Arial to understand about body changes, her period and sexuality. It was a gentle and genuine moment between siblings. The friendship Helvetica and March share is beautiful. March is Peregrine's girlfriend, although he also treats her with an incredible amount of disdain. March confides in Helvetica about her relationship with Peregrine and it was lovely to see their friendship existing independently of Peregrine.
I thoroughly enjoyed Helvetica's journey but felt the narrative was sacrificed for Peregrine's issues that seemingly took precedence. All The Invisible Things is an entertaining and arresting contemporary novel and wonderful coming of age.
I thoroughly enjoyed Helvetica's journey but felt the narrative was sacrificed for Peregrine's issues that seemingly took precedence. All The Invisible Things is an entertaining and arresting contemporary novel and wonderful coming of age.
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