Australian

Aurora Burning

may contain mild spoilers for Aurora Rising
Aurora Burning
Aurora Rising Book Two
Written by Amie Kaufman and Jay Kristoff
Science Fiction, Adventure, Australian
512 Pages
Published April 2020
Thank you to Allen & Unwin Australia
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★★★★
Our heroes are back. Kind of.

First, the bad news. An ancient evil, you know, your standard consume all life in the galaxy deal is about to be unleashed. The good news? Squad 312 is standing by to save the day. They've just got to take care of a few small distractions first.

Like the clan of Gremps who'd like to rearrange their favourite faces. And the cadre of illegit GIA agents with creepy flowers where their eyes used to be, who'll stop at nothing to get their hands on Auri. Then there's Kal's long lost sister, who's not exactly happy to see her baby brother, and has a Syldrathi army at her back. With half the known galaxy on their tails, Squad 312 has never felt so wanted.

When they learn the Hadfield has been found, it's time to come out of hiding. Two centuries ago the colony ship vanished, leaving Auri as its sole survivor. Now, its black box might be what saves them but time is short, and if Auri can't learn to master her powers as a Trigger, the squad and all their admirers are going to be deader than the Great Ultrasaur of Abraaxis IV.

Shocking revelations, bank heists, mysterious gifts, inappropriately tight bodysuits and an epic firefight will determine the fate of the Aurora Legion's most unforgettable heroes and maybe the rest of the galaxy as well.
The Ra’haam blooms are slumbering on their desolate planets, an ancient hivemind race threatening to consume the galaxy. The lost colony of Octavia III has been devoured by the Ra’haam, the adrift Hatfield vessel destined for the Octavia settlement before succumbing to the Fold. Aurora Jie Lin O'Malley has long since awakened and rescued by a gallant Tyler Jones, the unlikely company of a diplomat, scientist, warrior, engineer, navigator and Tyler are now felonious fugitives escaping the Global Intelligence Agency.

Delightfully creepy, wonderfully imaginative and superbly entertaining, Aurora Burning is an unpredictable adventure of sarcasm and wonderfully diverse characters. Aurora Burning introduces readers to the Syldrathi Unbroken, a warrior civilisation involved in an ages old conflict with human civilisation, their planet decimated, those who survived are now displaced. Kaliis found solace within the Aurora Academy, his squad of unlikely friends and the memory of his mother, a woman who instilled humility, compassion and peace within her children, their father a warmonger in contrast. Aurora Burning introduces audiences to the fierce Saedii, Kaliis' sister and Unbroken soldier that is entirely deserving of her own series.

With a substantial bounty offered for their capture and accusations of terrorism, the group of unlikely friends must evade the Global Intelligence Agency, the relentless Unbroken and Syldrathi forces. 

In Aurora Burning, the secondary characters are sensational and provide a reprieve from the intensity of the consuming romance. Zila possesses a quiet intensity, incredibly intelligent and possibly identifies as neurodiverse. Finian has impaired mobility and wears a specially designed suit to lessen the impact of gravity on his skeletal, nerve and muscle systems. He's quite possibly pansexual, appreciating the beauty of those around him regardless of gender. Finian is open about his sexuality, he's flirtatious and flamboyant and uses sarcasm as a coping mechanism. A stark contrast to Zila, who confides in Scarlett that she identifies as lesbian. It's a moment of inspiration and triumph, that Zila and Scarlett's friendship had blossomed and Zila felt comfortable confiding in her friend. It was an immense moment with little fanfare and endeared me to Zila's character. 

The intense romance between Aurora and Kaliis threatened to overwhelm the overall narrative, Aurora's newfound empowerment needed be at the expense of Kaliis' character. A romance where Aurora was content to allow Kaliis to become her protector, she begun losing her own identity in the process. In a narrative where characters are driven foremost by their relationship, it's inevitable that characters will feel isolated within their worlds and become dependant on one another. 

That ending.

THAT. ENDING.

Although the romance is entirely melodramatic, Kaliis being sacrificed to further Aurora's evolution is merciless. Heavens, it's unforgiving. Aurora is confronted with an impossible situation, the reality of her relationship and although the Aurora Burning narrative divided readers, I enjoyed the glimpses of ruthlessness, the often reckless decisions and the regret. It added a level of humanity to the storyline.  

Aurora Burning is a whirlwind adventure of beautifully illustrated worlds and diverse, vibrant characters. Immensely entertaining!

Rebel Gods

See my review for Monuments

Rebel Gods
Monuments Book Two
Written by Will Kostakis
Fantasy, Adventure, LGBT, Australian
256 Pages
Published August 27th 2019
Thanks to Hachette Australia
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★★★★

Newbie gods Connor, Sally and Locky want to change the world, no biggie. But they're soon drawn into a centuries old conflict that just might destroy the world they're striving to make better. Book two in the Monuments fantasy duology from young adult superstar Will Kostakis.


With the Monuments gone, newbie gods Connor, Sally and Locky must stop the rebel gods from reducing the world to ruin. Trouble is, they don't know how.


While Sally searches for answers and Locky makes plans to change the world, Connor struggles to keep up appearances as an ordinary teenager. But when a rebel god offers them a deal to end the chaos, their lives are turned upside down and they're forced to reckon with the question: who should decide the fate of the world?

Coming to terms with their newfound Godly status, friends Sally, Connor and his totally dreamy boyfriend Locky are determined to find the estranged Rebel Gods before they wreak havoc upon the world. What's the point of being a God if you can't change the world for the better? When Locky decides to spread joy on the lawn of the local parish, turning their grass into the rainbow flag in opposition to their queerphobic agenda, he's suddenly thrust into the spotlight and making their task of keeping their Godly duties on the down low even harder. Sydney is awash with speculation, could the Gods really walk among the people? For Connor and Locky, it's no easy task dating a God but now with his newfound rockstar slash miracle status, Locky may have inadvertently placed their lives in even more danger, despite the threat of the two dangerous sisters living in the otherworld that threaten life as we know it.


Adventure is afoot my friends as Connor begins to accept the fate thrust upon him, a God that will never age, never able to stay in one place any longer than a few years or risk exposure and of course, telling his dear mother. The other light of his life. Although the Monuments duology is steeped in modern mythology and moments of hilarity, the heart of the narrative is friendship and finding our way into the world. Although generations of teens aren't supernatural godly beings, it's still entirely relatable. Teens invoking change and being the change they want to see within the world. 


Rebel Gods explores the deeply queerphobic aspects of religion, those condoning intolerance and prejudice under the guise of religious ideology. Locky challenges the local parish, exposing himself in the process and although the Monuments series explores the urban fantasy narrative of Sydney, the characters are exposed to societal and community issues. It provides a realism beyond world ending scenarios and one of my favourite aspects of the series, besides the brilliant and entirely likeable characters. 


A brilliant conclusion to the duology from one of Australia's most loved authors. 

Before the Beginning

Before the Beginning
Written by Anna Morgan
Contemporary, LGBT, Mystery, Romance
Published September 29th 2020
240 Pages
Thanks to Hachette Australia
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★★★★

Schoolies week, that strange in between time when teenagers move from school into the adult world. It's a week when anything is possible, and everything can change.


Grace is questioning everything she thought about herself, and has opted not to join her clique of judgemental friends for schoolies, instead tagging along with her brother Casper and his friends. Casper, an artist, is trying to create the perfect artwork for his uni application folio. Overachieving, anxiety ridden Noah is reeling from a catastrophe that might have ruined his ATAR result. And Elsie is just trying to figure out how to hold their friendship group together.


On the first night of the trip, they meet Sierra, a mysterious girl with silver grey hair and a magnetic personality. All of them are drawn to her for different reasons, and she persuades them to abandon the cliched schoolies experience in favour of camping with her on a remote, uninhabited island. On that island, each of them will find answers to their questions. But what does Sierra want from them?

Grace is an attentive daughter, admired among her congregation and an intelligent scholarship recipient. While awaiting her results, Grace is contemplating an apprenticeship with her congregation, reluctantly deciding to spend her postschool celebrations with her brother Casper and his friends in the seaside town of their childhood vacations. Casper hopes to complete his artists portfolio for university applications and along with best friends Elsie and Noah, spending a few days to celebrate, commiserate and ponder their futures.


Although narrated by several characters, Casper, Elise and Noah, Grace is the interloper. Grace and Casper shared a wonderful sibling relationship as children, while Casper pursues his artistry, Grace continued her involvement within the church, creating tension and alienating the young siblings. Grace is a likeable young woman, her faith has caused her to feel isolated from her friends and family as she often appears as being judgemental, culminating in being confronted by Elise. Elise barely tolerates Grace, although not by virtue of her religious beliefs but because every conversation with Grace is about her faith, while she pays little attention to anyone not sharing her own principals. 


Soon after arriving at the seaside cottage, the group of four unlikely travel companions meet Sierra, a spirited young woman who convinces them to spend the the next few days illegally camping on the abandoned Shearwater Island. On the island, the serene and tranquil atmosphere allows friendships to blossom, tentative romances to begin, declarations of unrequited love and conceding that life isn't always ideal but our mistakes allow us to mature as individuals. 


The characters are wonderfully contrasted. Noah was awarded with a scholarship to a prestigious private school, his mother's expectations only secondary to his own. As a result, he's incredibly anxious and overwhelmed. Elise and Casper share a codependent friendship and although Casper is seemingly unaware, Elise harbors immense feelings for her friend. The friendship blossoming between Elise and Grace was beautiful and although they both found aspects of one another's personality irritating, like Grace learning to listen to others without judgement and Elise learning patience, they found middle ground and a mutual respect for one another. Sierra was never a looming presence over their friendship group but she brought out the best in some characters, Grace especially and the worst in others, namely Casper. I wasn't fond of Casper. He's flighty and only concerned about himself, the attention others are giving him and is verging on tantrum throwing when he doesn't get his own way. Namely Sierra.


The romance between Grace and Sierra was unexpected but really lovely for the most part. Rather than Sierra encouraging Grace to explore her identity, it seemed to be the island itself and their surroundings that allowed Grace's spirit to soar and it was beautiful. Although she doesn't talk about her sexuality, I can imagine it wasn't something she was able to discuss with her friends from church, incredibly judgemental girls who felt the need to issue an announcement body shaming girls who want to wear bikinis, very much implying that the female body is a distraction for men and to cover up with a modest bathing suit. It's no wonder Grace took her chances camping with Casper and his friends, her friends, what little we hear about them, are horrible and use their faith as a reason to exclude and shame others. That seemed to be Grace's turning point.


The writing itself is magical, as Anna Morgan has creates a narrative that slowly unravels on each page. Who is Sierra? I loved the Australian summer atmosphere of Shearwater Island, the mystery, intrigue but most of all, the character development. Anna Morgan is a masterful storyteller, creating journey's of discovery, of acceptance and finding your way into the world, placing importance on the journey rather than the destination. 

None Shall Sleep

None Shall Sleep
Written by Ellie Marney
Mature Young Adult, Thriller, Mystery
Published September 2020
400 Pages
Thank you to Allen & Unwin
Add to Goodreads
★★★★★
Interviewing convicted juvenile killers for the FBI leads Emma Lewis and Travis Bell on the hunt for a serial murderer who targets teenagers. A riveting young adult thriller that will keep readers on the edge of their seat from start to finish.

It's 1982, and the innovative FBI Behavioural Science section is breaking new ground. Emma Lewis and Travis Bell, two teenagers with valuable skills, are recruited to interview convicted juvenile killers for information on cold cases.

When they're drawn into an active case targeting teenagers, everything starts to unravel. Over Travis's objections, Emma becomes the conduit between the FBI and an incarcerated serial killer, nineteen year old Simon Gutmunsson, who is a super intelligent sociopath. And although Simon seems to be giving them the information they need to save lives, he's also an expert manipulator playing a very long game.

Can Emma and Travis stop a serial killer on the loose or will they fall victim themselves?
Eighteen year old Emma Lewis continues to endure the psychological trauma of being held captive, the sole survivor of man who abducted young women as wives. Now studying forensic psychology at University, Emma is about to embark on a landmark venture with the Federal Bureau of Investigation, adolescents recruited to interview adolescent sociopaths to help understand the psychological motivation of their crimes. Emma is a determined and resolute young woman, intelligent, perceptive and resilient. She's reluctant to join the Federal Behavioural Science Unit, tempted by the prospect of accelerating her education. 

Travis Bell is the son of a decorated police offer, killed in the line of duty by a sociopath killer, now pursuing a career in law enforcement. Travis has been recruited by the FBI and alongside Emma, plans to make the most of the opportunity he's given to forge a career and honour his father's memory. Travis and Emma are strangers, brought together by circumstance but form a tentative and platonic friendship over their shared experience, Emma's abduction and Travis' father killed by Simon Gutmunsson. They share moments of attraction but their working relationship and budding friendship was lovely, seeing them trust one another without the complications of a romantic relationship. Both Travis and Emma are healing and given the circumstances of the investigation, I'm thankful their connection remained purely platonic.  

Simon Gutmunsson, he's charismatic and under any other circumstances, even endearing. Ellie Marney created a likeable sociopath and I'm equally parts delighted and horrified. Simon is known as The Artist, he doesn't consider himself in the same lowly league as a sociopathic killer, he artfully killed his victims as a calling card, proud of his extracurricular activities. Simon is highly intelligent and curious about Emma, alluding to the current murderous spree by the unknown assailant. The FBI hope by understanding juvenile killers like Simon, they'll be able to profile and catch the current serial killer, using Emma and Travis at bait to see what Simon knows.

The killings are brutal. We're given a glimpse into the mind of the killer as he strings up his victims and performs ritualistic killings. It's terrifying and creates an incredibly urgent storyline, using the cryptic innuendo provided by Simon and applying his insights to the current, open case before the killer strikes again. Holy shit. None Shall Sleep is creepy, downright terrifying but balanced with moments of tenderness and a gentle and tentative friendship. 

This is next level Marney, a little bit batshit, pee yourself while reading and jumping at shadows for the next three months. Outstanding!

Where We Begin

contains mild spoilers of sensitive issues such as family violence, abortion, alcoholism, physical and emotional abuse, colonisation, genocide, prejudice and racism
Where We Begin
Written by Christie Nieman
Contemporary, Realistic Fiction, Australian
Published August 28th 2020
368 Pages
Add to Goodreads
★★★★★
Seventeen year old Anna is running into the night. Fleeing her boyfriend, her mother, and everything she has known.

She is travelling into the country, to the land and the grandparents she has never met, looking for answers to questions that have never been asked.

For every family has secrets.

But some secrets, once laid bare, can never be forgiven.
Anna could see the ramshackle, debilitated home from the roadside as the coach drove into the night, the letter from her grandmother safely in her pocket. Anna departed Sydney for the small country town in Victoria, a life of uncertainty among the dry, desolate pastures, anxious and alone.

Anna's estranged grandparents hadn't expected their seventeen year old granddaughter to visit, considering their daughter abandoned the family home and her family before Anna was born. Anna is in turmoil, her mother is attending a business conference in New Zealand, her father visiting his dying father in Germany and Anna is pregnant, unbeknownst to her boyfriend Nassim.

Anna's narration is harrowing, she's anxious, alone and navigating a new relationship with her estranged grandparents. In her final year of school, Anna is intelligent and motivated, wanting to study medicine at university. Escaping to the small country town, Anna plans to abort her pregnancy. The nonlinear narration shifts between the present and the events leading to Anna's decision to leave, moments from her mother's adolescence as the past and present converge.

In the present day, Anna's mother Cathy is an absent parent, businesswoman, entrepreneur and alcoholic, Anna's father excusing her behaviour, encouraging Anna to practice understanding and forgiveness. Anna's relationship with her mother is irrevocably fractured when as she introduces her mother to Nassim, her boyfriend. Cathy overindulges and becomes verbally and physically abusive.

As the storyline unravels, we learn about Cathy's adolescence, her parents Bette and Hessel, a stoic and racist Danish man. The Krause family colonised the local Indigenous land, white farmers who decimated the landscape. As children, Cathy and Leonie shared a wonderful friendship, Leone an Indigenous girl who Cathy was forbidden to see. Leonie, a local nurse, remained in the small country town and raised a wonderful son in Basil. Cathy and Leonie are no longer in contact with one another.

First Nations communities continue to endure racism and prejudice and with the permission from the Dja Dja Wurrung community, Christie Nieman explores the Blood Hole Massacre, a horrific incident of genocide. Basil, Leonie's son, is a storyteller and a beautiful character. The life he's endured, carrying the stories of his community. Basil's enthusiasm and effervescence is infectious, his character is incredibly endearing and proudly Indigenous, although also recognising his colonist ancestry. 

Where We Begin raises awareness and encourages discussion of family violence, alcoholism, adolescent pregnancy, abortion and physical and emotional abuse. First nations, colonisation, Indigenous genocide, prejudice and racism. Although the narrative is harrowing and poignant, Where We Begin is written with compassion, delicately and an intricate tenderness. Often we choose novels without realising the impact they leave upon us and as readers, we experience our world through fictional characters. When We Begin is a remarkable read and I thank Christie Nieman for sharing her words.

Please Don't Hug Me

Please Don't Hug Me
Written by Kay Kerr
Contemporary, Realistic Fiction, Australia
288 Pages
Published April 28th 2020
Thank you to Text Publishing
Add to Goodreads
★★★★★
A funny serious own voices story about what happens when you stop trying to be the person other people expect you to be and give yourself a go.

Erin is looking forward to schoolies, at least she thinks she is. But things are not going to plan. Life is getting messy, and for Erin, who is autistic, that’s a big problem. She’s lost her job at Surf Zone after an incident that clearly was not her fault. Her driving test went badly even though she followed the instructions perfectly. Her boyfriend is not turning out to be the romantic type. And she’s missing her brother, Rudy, who left almost a year ago.

But now that she’s writing letters to him, some things are beginning to make just a tiny bit of sense.
Please Don't Hug Me is compulsory reading. Narrated from the perspective of seventeen year old Erin as she shares her thoughts in a series of letters to her brother Rudy. Rudy was a popular young man and after a disagreement with his parents, escaped the confines of the family home and the expectations of his parents. Five year old Oliver barely remembers his brother, their mother is consumed by keeping her family together while their father searches for understanding at the local tavern, drowning his sorrows in alcohol.

Erin is an intelligent and incredible young woman, navigating a neurotypical environment from the perspective of a person on the spectrum and sharing her intimate, analytical, and often tumultuous thoughts on life, love, friends, family and autism. Erin begins her correspondence as she prepares to look for casual employment, leaving her previous position feeling misunderstood and underappreciated, resulting in an outburst. For Erin, feeling emotional and overwhelmed are two instances in which her psychologist encourages her to practice being present in the moment, while Erin keeps a secret list of her indiscretions each day to release her tension and as she enters her final year of school, Rudy is missing her important milestones.

Beyond her family, Erin has only confided in two friends of her diagnosis, her best friend since childhood Dee and her boyfriend, the disappointing Mitch. Dee is friendly, created from sunshine and laughter and understands when Erin is feeling overwhelmed, arming herself with doughnuts and waiting on her doorstep. Dee is charming, lighthearted and a young woman also finding her place in the world but her friendship with Erin wasn't always a positive influence on Erin's mental health. Especially at school, allowing her friends to make Erin feel uncomfortable. Her friendship is important to Erin but also restricted her personal growth as she transitioned into adulthood.

As Erin begins in her new position at a clothing store predominantly for seniors, she develops a friendship with Agnus, an Indigenous, Quandamooka young woman, musician and activist who endures depression. Aggie is a wonderful influence on Erin, allowing her to guide their friendship so she feels comfortable, offering support and understanding. In comparison to her friendship with Dee, their friendship signified a new and exciting chapter of life for Erin.

Throughout her letters, we see Erin grow in confidence, learning to care for herself and others and coping mechanisms. Please Don't Hug Me encourages awareness of those on the spectrum, empathy and the mentality from neurotypical society. Observing our environment through the thoughts of Erin was remarkable and profoundly intimate, navigating social situations, employment, her education and friendships and relationships. It was beautiful, poignant and an incredibly important read, as neurological conditions are rarely discussed in young adult literature.

Sincere, unflinching and achingly beautiful, Please Don't Hug Me is an exceptional and remarkable debut.

Guest Posting With Corella Press

As readers and lovers of literature, we don't often have access to the process of publishing our favourite novels, editor Tina Higgins at teaching press Corella Press, an Australian teaching initiative at The University of Queensland Press, takes readers behind the scenes over an entire semester as they prepare for publication.


Corella Press is a small, not for profit teaching press that aims to recover lost nineteenth century crime and mystery stories and create beautiful trade publications. It gives students in the Master of Writing, Editing, and Publishing program at The University of Queensland a new opportunity to complete a publishing internship during their degree. Over the thirteen week teaching semester, the Corella Press publisher guides the interns as they work together to prepare a book for publication.

Week One. An Introduction To Independent Publishing

Nine of us gathered for our first editorial team meeting with Meg Vann, the Corella Press Publisher. Over thirteen weeks, we would prepare the second book in a four part series, the follow up to Bridget’s Locket and Other Stories by Waif Wander. We would find a suitable story, prepare and present an acquisitions proposal, compile the book’s front and end matter, update the Corella Press website to include our book, transcribe and copy edit the text, work with our designer to prepare the proof, check the final draft, and prepare the marketing and launch plans. Easy!

Our first task was to search online databases, Trove, The Australian Newspaper Fiction Database, and the Aust Lit website, to uncover find a suitable nineteenth century Australian crime or mystery story. We would be looking for a cracking good yarn that was relevant and interesting for a contemporary audience, had never been published as a book, and had been written by an author with an interesting life story and who died more than seventy five years ago, so that it was within copyright guidelines.

Weeks Two And Three. Finding A Story

We chose Jeannie Lockett’s The Millwood Mystery, an eighteen chapter story serialised in the Australian Town and Country Journal between November 1886 and March 1887. A story of suspicious death in an isolated community, complete with numerous suspects and a twist.

Debbie Lee from Ingram Sparkes also joined us to explain indie publishing and print on demand, which we will be using to create both the print and electronic versions of our book.

By week three we were copyediting, each reviewing our chapters with the lightest possible touch to preserve Jeannie Lockett’s voice.

Week Four And Five. The Acquisition Proposal

During week four, we worked on preparing our acquisitions proposal and in week five we presented it to Corella Press Acting Director, Dr Richard Newsome.

Richard noted that, at 120 pages, our book was short, but as the second book in a series of four, it could work, especially with reading notes. He reminded us to edit lightly, having the author speak from another century is part of the joy of such books. He added that parts of Jeannie Lockett’s biography have Sydney Morning Herald written all over them, including the grave with no name in Waverley Cemetery, a heritage listed cemetery in Sydney’s eastern suburbs and young relatives still attending the Sydney school where she taught. He said that period pieces are popular for serialisation on Stan or Netflix, for example, so pitching to the Queensland Writing Centre’s Adaptable initiative, might be an option, and he reminded us to look for marketing nuggets, anything we can do to make a journalist’s job easier as it will increase our chances of publicity.

Week Six. Book Parts

Week six we talked about the non story parts of the book such as title page, copyright page and introduction, table of contents, author bio, and acknowledgements.

Week Seven. Updating The Website

Dr Catriona Mills from Aust Lit joined us to show how to edit the Corella Press website and we updated the blurb for our book.

Week Eight Copyediting And Proofreading

This week, we brought our editing issues to the table, we discussed our edits, spending our meeting in robust discussion as we did our best to honour Jeannie Lockett’s intention for her story.

Meg suggested we approach Mirandi Riwoe, who writes crime as M.J. Tjia to provide the introduction to our book. Mirandi is from Brisbane and completed a PhD at The University of Queensland. Her books include Fish Girl, writing as Mirandi Riwoe and the Heloise Chancey mysteries, She be Damned and A Necessary Murder, writing as M.J.Tjia. Miranda has a new book coming out soon, and has had her novella accepted for Griffith Review 66: The Novella Project VII, due out in late November.

Week Nine. Marketing

Sally Matthews, from the marketing team at University of Queensland Press, talked to us about book marketing. She spoke about the challenges of working with an author in the marketing phase, especially those who are outspoken or controversial, and she talked about sites and organisations to target. She also outlined a typical social media plan leading up to and after the launch. I was interested to see that focused marketing ends within about a month to six weeks after the launch, there is always the next book to promote. And we had great news. Mirandi Riwoe agreed to provide our book introduction.

Week Ten. Book Design And Production

Dan Seed, our design maestro, spent several hours cutting and pasting our carefully edited text, page by page, into the Adobe InDesign document. The previous editorial team had made all the tough decisions about style, fonts, spacing, headings, so we only had minor decisions to make. Next step, proofreading.

Week Eleven. Launch Plan

We considered The University of Queensland and the Brisbane Writers Festival as possible launch venues but decided on Avid Reader, it has good parking, it’s a venue that is well known for book launches, and it has a loyal following. A quick email secured our launch date at the end of August.

Week Twelve. Proofreading

With only one week to do the final proof, it was time to start working on our social media presence, so we took a group photo and sent it out Facebook, Twitter, and Instagram.

Week Thirteen. It’s a wrap!

In the final proofing phase with Dan, we revised the design layout page by page, tidying editing issues and checking formatting. Suddenly, the thirteen weeks were done. What a great semester. I had the opportunity to work with an inspiring group of publishing interns. I was able to improve my copyediting skills, learning to lighten my touch and work with the authorial voice, rather than impose my will and I helped produce the InDesign proof. I learned about the importance of contacts and networks in publishing and expanded my own through social media, and I wrote the reading notes, which I’m proud to add to my writing portfolio. I also had the opportunity to support and encourage my fellow interns and, as importantly, be supported and inspired by them. I immersed myself in the world of crime fiction, both nineteenth century and contemporary and I discovered how exciting research can be. Best of all, I had the most wonderful opportunity to participate in creating a beautiful
book.

Dark Dreams. Australian Refugee Stories

Dark Dreams
Australian Refugee Stories
Edited by Sonja Dechian, Eva Sallis and Heather Millar
Non Fiction, Young Adult
224 Pages
Published September 2012
Thank you to Wakefield Press
Add to Goodreads
★★★★☆
Dark Dreams, Australian refugee stories is a unique anthology of essays, interviews, and stories written by children and young adults. The stories are the finest of hundreds collected through a nationwide schools competition in 2002. The essays and stories represent many different countries and themes. Some focus on survival, some on horrors, some on the experiences and alienation of a new world. This book will have a key role to play in schools across Australia.

Eva Sallis's first novel Hiam won The Australian Vogel and the Dobbie Literary Awards. She is cofounder of Australians Against Racism and is a Visiting Research Fellow at the University of Adelaide.
Australia has a tumultuous history. In seventeen seventy eight, Australia was colonised by Great Britain, destined to establish the first European settlement in Australia. The Australian indigenous communities were decimated by violence, displacement and diseases introduced as a consequence of colonisation.

Australia is a multicultural landscape of migration. Since the White Australia Policy was abolished after the Second World War, over seven million migrants have immigrated to Australia, our population of twenty four million people comprising over six million immigrants, speaking over two hundred languages. A multicultural, multilingual country, forcibly removed from Indigenous communities, now imprisoning refugees escaping persecution.

Their journey to freedom is tumultuous, emphasised in the incredible Journey to Freedom written by Hai Van Nguyen, the winning entrant and one of over thirty narratives included in Dark Dreams. Fourteen years after arriving in Australia, the trauma of their journey remains.

We had lived to tell a story some never could. But the battle was not over, in fact, it was just beginning. We had fought with the elements and the authorities, but the real battle started the day we arrived in Australia. My parents have since learned that language barriers can be as insurmountable as giant waves, that exclusions leave a void far greater than the size of any ocean and that numbers last long after they have been removed. 
There’s nothing like having to cling to every bare breath, to see life reduced to a scarce trickle, to walk the tightrope separating life and death, at times not knowing one from the other. Very rarely do we get to see human nature stripped of all that it depends on to learn that human nature is itself enough.

Throughout each unfathomable circumstance, we are confronted by our own privilege and the mistreatment of migrants and asylum seekers. Dark Dreams is a collection literary memoirs from young, emerging authors chronicling the harrowing journey of immigrants and those escaping violent, ravaged communities from a multitude of destinations and circumstances. Vietnam, Afghanistan, Yugoslavia, Iraq, Albania, Sudan and Germany. It is imperative for their stories to be recounted, to be heard. The human experience to be felt. Essential reading.
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